Death Online Research Symposium (DORS4): The University of Hull, UK, August 15 – 17 2018

The 4th Symposium of the International Death Online Research Network will take place at The University of Hull, UK, August 15 – 17, 2018. It will consolidate links between existing and new network members and provide opportunities for the discussion of ongoing and new orientations in the interdisciplinary field of death online. The meeting will explore the ways in which online connectivity is changing how, when and where we engage with death and dying and how we invest death-related practices with meaning in the online environment. We warmly welcome new members to the network as well as old friends. 

Confirmed Keynote Addresses: 

Professor Charles Ess, University of Oslo, Norway 

Dr Elaine Kasket, psychologist and author of forthcoming book: 

All the Ghosts in the Machine 

Themes and perspectives of the symposium 

For this 4th Death Online Research Symposium we invite abstracts for oral presentations of new, recently completed, or ongoing research or ideas for future academic research on all kinds of death related online practices. We welcome qualitative and quantitative work which expands our understanding of the current and future trends in death online research from a variety of disciplines, addressing any of the following themes: 

Digitally mediated dying and narrative 

Digitally mediated grieving and memorialising 

Death online and embodied experience 

Digital afterlife, post-mortem identity and digital legacy 

Technological developments in the death care industry 

Digital immortality 

Online vs offline experiences 

Theorising online life and death 

Ethical challenges for studying death online. 

The conference will host a special workshop for participating Post Graduate students and early career researchers. We particularly welcome submissions from these groups. All submissions will be peer-reviewed, and we envisage publication of selected full papers in a special issue of an academic journal in the field as well as a collection of writing from the symposium in an open-access online platform. 

Important information 

Submission format: 300 word abstract 

Submission deadline: March 15th, 2018 

Submission feedback: April 15th, 2018 

Registration open: May 1st, 2018 

Registration fee: £125 (£75 students). This will cover morning and afternoon refreshments and lunch for the 3 days and conference dinner on day 2. 

All submissions and enquiries should be submitted to Dr Jo Bell: j.bell@hull.ac.uk marked “Death Online Research Symposium Submission” in the subject field. Abstracts should be no longer than 300 words. Please include full contact info (name/s, institutional / organisational affiliation and email address) in the submission. Submissions will be anonymised before review. 

The online registration and payment site will be open from 1st May 2018. There will also be information available here for booking options for accommodation. You can stay on The University of Hull campus at The Courtyard for £50 per night (including breakfast) or £45 per night (excluding breakfast). We will make cheaper options such as ‘air b & b’ available where possible. 

If you are interested in joining the Death Online Research Network, please contact Dr Stine Gotved: gotved@itu.dk. 

Material Legacies - in the Landscape of the Lost

28th February – 24th March 2017

Register for Private View Tuesday 28th February 

Wednesday 15th March 

Designing Death: Aesthetics and Challenges for the 21st Century – Panel Discussion - Register Here

Location 

Stephen Lawrence Gallery,
11 Stockwell Street,
London
SE10 9BD

This exhibition invites the public to experience how artistic making can provide momentary glimpses of relationships unfolding stories of love and loss.

Material Legacies is the culmination of a four-year research collaboration with The Hospice of St Francis, a palliative care charity. This collaboration explores how artistic making supports the bereaved to negotiate their own approach to translating and finding a place for the dead in their lives. Within this process, biography is distilled into three distinct experiences, which collect a range of materials capturing the essence of the deceased's archive. This deep interaction advocates how a material approach to loss can expand our personal and aesthetic relationships with the dead.

These experiences provide momentary glimpses of relationships - through material and technological composition - that unfold unique stories of love and loss. Visitors are invited to connect with these experiences on a visceral level. The materials used become a language that is refined through the iterative process of making, as stories of the dead are told through the bereaved's physical engagement with materials and their collaborations with creative practitioners. Together the works speak of loss and self-discovery: hundreds of pin pricks turn memory to matter; clay fuses with video constructing the ‘Trainman’; and fingertips massage a message of textured paint leaving their imprint on hand and canvas.

The exhibition as a whole expresses a new materiality of death that blends narrative, craft and archives. This promotes an approach to thinking through making that supports the co-creation of loved one's physical and digital legacies. We are looking forward to present the processes and surprising conclusions to the public.

This exhibition would be of special interest to those working within the boundaries of art and public engagement, co-design and art therapy through artistic practice.

Credits: Material Legacies was created for the Stephen Laurence Gallery by Stacey Pitsillides as an outcome of her PhD in Design. This research is in association with the University of Greenwich (Creative Professions and Digital Art) and has been supported by The Hospice of St Francis and Goldsmiths, University of London. The works exhibited have been produced by Freda Earl, Sam Durant and Anne Marshall in collaboration with Elwin Harewood and Stacey Pitsillides - technical and design development from Aiden Finden and Giulia Brancati. With thanks to Greenwich Bright for the filmed interviews.

Love After Death - FutureFest

Love does not end when someone dies. 

Love evolves and takes on new forms, 

living on through technology, 

through the earth cradling our bodies and the memories, 

which we keep in our hearts and on our devices.

At FutureFest you will be invited to explore your own legacy with experts in the field of death and bereavement. They will help you chart the myriad of choices in the future of Love After Death showing how death can be approached as a creative affirmation – of love and loss. By considering your own mortality and what you would like to happen to your body and legacy, our experts will help guide you in setting up your own Legacy Document, detailing the future of your body and extending your presence beyond death. Mortality has always been of fascination to human beings; a curiosity, an artistic endeavor but always a mystery. For generations to come design and technology will play a vivid role in these spiritual matters that speak of our very humanness. However as technology forces us to face what bodies, minds and souls mean to us, will we prefer to live on in reanimation, or continue to live through those we love?

Book your ticket for Saturday 17th & Sunday 18th FutureFest2016

An Insight into Digital Death Day London!

Digital Death Day 2012 was an exciting collision of people from different backgrounds, with vastly different experiences and perspectives on the concept of death and digitality. 

We started the day by setting the agenda (translation: writing in that moment what we felt like discussing with the various experts/ interesting people that were in attendance). As a PhD student/academic I am currently putting together a chapter on the relationship between the physical body and technology, including what happens to this relationship when a person dies, so my session was called: Embodiment, Authenticity and Technology (this title was also inspired by Sherry Turkle's recent book: Alone Together). Whereas Andriana (my fellow co-organizer) being an entrepreneur and designer wanted to conduct her session as a kind of mini-focus group discussing various aspects of Announcing Death and Mourning Online as she is in the process of developing a platform which would aid people in this process (further notes/ audio of sessions will appear shortly on www.digitaldeathday.com). 

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

 

Myself and Andriana getting excited about our our discussion topics!

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

As a side note: Digital Death and privacy seem to go hand in hand as a main concern of this community. I don't think we have ever had a Digital Death Day where this was not a central theme and it certainly gets discussed as a part of other sessions as well. There are mounting concerns regarding what will happen to our data after we die including the lagging legal framework, the conflicting terms and conditions of major players in the industry and the lack of education for young people in relation to understanding what it means to post something (public) online. 

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

After some coffee and breakfasty stuff its time to construct the agenda by placing the sessions we want to run on the wall and designating a time and place where that conversation will take place. This is also when the four guidelines of unconferencing make their appearance (the below were very well phrased by The Usual Suspects so I borrowed and adjusted their explanations):

1. Whoever shows up is the right people… reminds participants that they don’t need “world-famous death expert guru X” and 100 people to learn something, or to have an interesting time. What we do need are people who care (world-famous or not :) )
2. Whenever it starts is the right time …reminds participants that “spirit and creativity do not run on the clock.”.
3. Whatever happens is the only thing that could have …reminds participants that once something has happened, it’s done. Spontaneity and ‘going with the flow’ are important, and this is one of the guidelines which creates a space in which unexpected things can happen.
4. When it’s over, it’s over …reminds participants that we never know how long it will take to dive into a topic, once raised, but that whenever the discussion or work or conversation is finished, move on to the next thing.

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

So with these guidelines in mind and a relaxed attitude we begin our conversation about Annoucing Death and Mourning Online: How to strike a Personal/ useful balance, in the comfy chair space ;-)

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

As a second side note: we also had BBC Radio 4 there during the day conducting interviews for the final part of 'The Digital Human' series, presented by Aleks Krotofski, which will focus particularly on the topic of Digital Death. 

  

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

As the day progressed and we felt ourselves losing energy Kaliya (identitywoman) started a doodling session to run alongside our conversation about how terminally ill patients engage with the idea of what happens to their data after they die and how the hospices and old age homes deal with (or don't deal with as the case may be) internet access and patients blogging. 

Photography by: Vered (Rose) Shavit: http://digital-era-death-eng.blogspot.co.il

The day ended with pages of notes and colors, some new ideas, collaborations, contacts and lots to think about and process. Unconferencing is definitely my favorite form of work gathering, as it is really a working event that feel like a social event, made up of people talking about the things they are interested in and passionate about. 

As I was told on my first attendance of an unconference in San Fransisco (the Internet Identity Workshop): the most useful things that happen at a conference do not usually occur while listening to people present their papers. They are generally the strange conversations and serendipitous encounters that happen during the coffee breaks, the lunch and the after party. So we decided to create an event that was like one long coffee break!

Happy Unconferencing!  

Digital Death Day: London 6th October 2012

Digital Death Day is a series of Unconferences which have been running twice annually since May 2010 in Europe and North America. We are very excited to be bringing this event once again to London! In the past this event has received high profile international press (such as http://news.bbc.co.uk/1/hi/technology/8691238.stm and http://obit-mag.com/articles/life-after-death-in-digital-form). 

Digital Death is the term used to describe the growing issue of what happens to your personas, ideas, feelings and accounts online after you die. This workshop is open to professionals and amateurs alike. Anyone who wants to learn, discuss, ask questions or even display a working product.

Like death in the real world, Digital Death promises to be ever-present in our increasingly digital world. Despite the topics relative newness this is an issue which has already touched the lives of many people who understand its relevance, whether they themselves have experienced loss or whether it is simply through observing the multiple online tributes, RIPstatus's and memorial sites. However systems are slow to change and the companies that house our data often need the pressure of their users demands to alter current practices. We invite you to be part of that change!  

To register for Digital Death Day please visit: eventbrite